Hand pieced in 1986 by Laurie Gorton, Overland Paprk, KS. Machine quilted in 2013 by Peggy Skaith, Overland Park, KS. Owner: Laurie Gorton, Overland Park, KS. Shortly after I started quilting in the mid-1980s, I found this pattern in an issue of Quiltmaker magazine, shown made with bright tropical prints. I decided to use red-and-greenContinue reading “Holiday Hibiscus
Machine pieced by Laurie Gorton and long-arm quilted by Lynn Stucker, Miles of Quilts, Mukwonago, WI. I began this quilt on a Quilt Seminars at Sea cruise to Alaska. It became a wedding celebration quilt for friends in Washington, DC. Its colors reflect the gold and green of Kansas wheat fields and the purple ofContinue reading “Kansas Blooming
Original design created in the NSNG Jane Sassaman workshop. Some of my favorite Illinois native wildflowers: Columbine, Jack in the Pulpit, and Prairie Trillium. (Appliqued, machine quilted.)
Pieced with batiks purchased in Ketchikan, Alaska and photos of Alaskan rocks, lichens, water and moss printed on fabric. My father and I travelled to Alaska where I was inspired by the scenery and the salmon’s journey from streams in the forest to the ocean and back again. Returning salmon provide food for bears andContinue reading “Tongass Tango: the salmon dance between forest and sea
Machine pieced, hand quilted. I started this quilt around 2003 when I lived in Barrington. I finished the piecing in California and named it ‘Sunset over the Pacific’ but it ended up in my UFO pile. Another move, the quilt came out again for quilting and a return to its original name.
Pieced, fused, appliqued and painted; couched trims. Burney Falls State Park is a little jewel of a park in Northern California, a long way from any freeway.
Machine pieced and quilted commercial fabrics with angelina embellishment. The design of the flying comet was inspired by the IQI Challenge fabric that looked like outer space to me, so I used it for the background.
Machine pieced and quilted, hand dyed (home and purchased) and batik fabrics. I would like to thank my mother, Marie Greening, for making this quilt possible. My first attempt at machine quilting quilting this was dreadful. My shoulder hurt, my machine misbehaved, and yet I kept on going. When it was done, I decided thatContinue reading “Scatteration
Machine pieced and quilted, purchased hand dyed fabrics. The pattern evokes an ancient wooden door with metal studs on it, but this impression is softened by the faded fresco colors. The peachy/brown blocks appear to float over the green background. I’ve tried to re-create this quilt with different colors and have never quite managed theContinue reading “Tuscan Fortress
Pieced with purchased hand-dyed fabric, machine quilted. I was experimenting with curved pieces and liked the way these seem to float against the background like UFOs, or as the government prefers to call them, un-identifed aerial phenomena.
Machine appliqued, pieced, fused, machine quilted, beaded. The challenge to depict earth, air, fire and water immediately brought an erupting Hawaiian volcano to mind: where else are all four present at once? The quilt’s title comes form the Hawaiian goddesses; Fire (Pele), Natture/Earth (Papa), Sea (Namaka) and the god of Wind (Paka’a).
The Modern Quilt Studio uses mostly solids in their quilts, but I can never limit myself to solids. I really enjoyed figuring out how to get the transparency effects. The overlapping ovals reminded me of the eclipse.
This is the product of a workshop with Bill Kerr exploring color and how to create interest using only solids. The workshop pattern featured a wider rectangle but I didn’t have enough wall space, so I re-arranged the blocks.
The braids for this quilt were completed in 2020.. It took 11 years to build the skills I needed to quilt it the way I wanted. Never give up! (Machine pieced and quilted.)