Oil paint, cheesecloth and cold wax medium on canvas. Two figures leaping into the unknown.
Exhibition Year Archives
Aerial Encounter I
Aerial Encounter IIJoan McLane
Oil paint, cheesecloth and cold wax medium on canvas. Two figures aloft, possibly exchanging greetings.
Curious EncounterJoan McLane
Oil paint, cheesecloth and cold wax medium on canvas. A figure discovers a strange object which has both mass and lightness.
SurpriseJoan McLane
Oil paint, cheesecloth and cold wax medium on canvas. Two mysterious figures, each wondering about the other.
AdriftJoan McLane
Oil paint, cheesecloth and cold wax medium on canvas. An ambiguous figure/object somewhat frayed is floating – free but possibly lost.
ExhilarationJoan McLane
Oil paint, cheesecloth and cold wax medium on canvas. Two figures meet and begin a conversation.
Vintage CompassMary Meyers
Machine paper pieced, long arm quilted. In the last stages of piecing this quilt I decided to change out some of the “boring” fabrics to make it a little more colorful. Exquisitely quilted by Debbie Bookman.
Crochet SamplerDiane Miller
Crocheted in wool. A long-time project.
The 2018 Good Mourning Camp QuiltJane Moore
Machine applique and quilting; ribbon embellishment. WThese quilt squares were created by bereaved families at the 2018 Good Mourning Camp “Weather You Like It or Not”. This is Jane Moore’s 23rd Camp quilt.ords
Julie RiveraNSNG
Curved Log Cabin #1Maureen O'Connor
Machine pieced and machine quilted. This quilt was made using a Bali Pop (2 1/2″ strips) from Hoffman Fabrics for the skinny side logs and a cream color fabric for the fat logs. The 2 1/2″ strips were cut in half to get the 1 1/4″ logs which finish 3/4″. The beauty of this patternContinue reading “Curved Log Cabin #1
Maureen O’Connor
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Curved Log Cabin #2Maureen O'Connor
Machine pieced and machine quilted. This is the same pattern as #1 but the scrappy side is the fat log side and the skinny log is all the same fabric, In addition, the size of the logs are different. The fat log finishes to 2″ vs 1 1/2″ in the first and the skinny logContinue reading “Curved Log Cabin #2
Maureen O’Connor
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Curved Log Cabin #3Maureen O'Connor
Technique This last version of the same pattern is scrap for both sides. Lights for the fat log, and darks for the skinny logs. The size of the logs is the same as #1 which is the way the pattern is written.
Group Project BeadJeanette B. Page
Beaded.
Move ItAmy Parker
Designed, pieced and longarm quilted by me (Evanston Quilt Company). This quilt is a gift to my sister-in-law who has been a wonderful friend to me for 30 years.
RescuedAmy Parker
Machine pieced and longarm quilted by me (Evanston Quilt Company). This piece was created from a deconstructed wall hanging originally made by my client’s late mother, Shirley D. Fitch. The original had construction problems and would not lie flat. The only fabrics not in the original piece are the white strips and the on-point blueContinue reading “Rescued
Amy Parker
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Paradise in BloomBarbara Peterson
Top is machine pieced and appliqued. Custom longarm quilted. Paradise in Bloom is a Judy Niemeyer paper pieced pattern. The fabric selection of batiks and Kaffe Fassett was a kit designed by Tennessee Quilts. Custom longarm quilted by Barb Jolley.
Split PersonalityBeth Polonsky
Hand embroidery on Sue Spargo panel. Hand embroidered, hand beaded. This piece was created during a bead embroidery class taught by Lisa Binkley.