Maureen Ivy Fisher
Needle felted dyed sheep’s wool. I paint with fiber. Colored sheep’s wool is the paint on my palette. A sheet of felted wool is the canvas. And the needle is my paint brush. I blend and layer colored wool to achieve desired hues, tones, and gradations, and I build wth it to add a sculpturalContinue reading “Strata
Maureen Ivy Fisher
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Nona C Flores
Pieced, raw edge applique. Machine quilting; longarm quilting by Sue DiVarco. For my “kids” – Tootsie and Elvis – whose photo is on the quilt label. “The Dachshund Family: by Anne-Marie Saudo, Quiltmania Issue 142 (Mar-Apr 2021)
Nona C Flores
Embroidery, sashiko, boro, yo-yos. I purchased this coat with the intent to embellish it, but didn’t really get the motivation until Lisa Binkley’s “Beyond Boro” NSNG class in November 2022. Embellishments are original designs. The coat was made by Susan Eastman.
Nona C Flores
Collage of handprinted and commercial fabrics embellished with hand stitchery.
Nona C Flores
Paper and fabric collage, embellished with hand printing and hand stitching.
Nona C Flores
Collage of handprinted and commercial fabrics with hand stitching.
Nona C Flores
Glued raw edge applique. Longarm quilting by Sue DiVarco. Original design from my photo taken at the Morton Arboretum. Started Sept 2022 in a class with Susan Carlson at Woodland Ridge. One classmate said “his eyes follow you around the room”. Longarm quilted by Sue DiVarco.
Iva Freeman
Machine pieced. Machine quilted by Amy Parker. Black and white fabric is always my inspiration.
Iva Freeman
Machine pieced. Machine quilted by Amy Parker. I love circular images that combine solids, prints and stripes.
