Paper and fabric collage, embellished with hand printing and hand stitching.
Guild Archives
Seed Packet
Mixed MessageNona C Flores
Collage of handprinted and commercial fabrics with hand stitching.
Here’s Looking at You, Kid!Nona C Flores
IQI Fused applique, chartpak image transfer, machine and hand quilting. My current regimen of all-black Eileen Fisher professional wear barely suppresses a lifelong love of clothes with lace, ruffles, pleats and pouf-y skirts. An unfortunate predilection of strips, spots and all things orange breaks out all too often.
Cheeky Rascal (Rocky)Nona C Flores
Glued raw edge applique. Longarm quilting by Sue DiVarco. Original design from my photo taken at the Morton Arboretum. Started Sept 2022 in a class with Susan Carlson at Woodland Ridge. One classmate said “his eyes follow you around the room”. Longarm quilted by Sue DiVarco.
Vintage RoseNona C Flores
Foundation paper piecing. Done in a Judy Niemeyer 6 month technique class taught by Jane Reents. Long arm quilting by Sue DiVarco. Design Source – Judy Niemeyer pattern.
Christmas Feather StarNona C Flores
Foundation paper piecing. The feathered star block was pieced in an IQI workshop taught by Barbara Black. Longarm quilting by Sue DiVarco. Design Source – 4 parts of the Washington Medallion pattern by Sue Garman.
Goldilocks for GrownupsNona C Flores
Pieced blocks, machine quilted. Design Source – Bjorn Bear block by Elizabeth Hartman
Pajamas All DayNona C Flores
Painted, stamped and silk-screened fabric with commercial and over-dyed commercial fabrics (Wendy Richardson). This is my project from a 5-day workshop given by Judy Coates-Perez in August 2018. Design Source – Original Design
PrimitiveNona C Flores
Bleach discharge on Thriftstore clothing. Longarm quilting by Amy Parker. Design Source – Original Design
At the Corner of Abbey Road and Penny LaneNona C Flores
This piece is a failed entry for a challenge to interpret a Beatles song as a quilt–it doesn’t meet the technical definition of a quilt, though the stacks of buttonhole-stitched wool circles derive from 19th century penny quilts or penny rugs, a way in which women could use up small scraps of wool to makeContinue reading “At the Corner of Abbey Road and Penny Lane
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Lotus Opens to the SunNona C Flores
None of my lines overlap in the original quadrant design which gives my piece a somewhat different look from the instructor recommendation.
ShredderNona C Flores
Machine pieced/machine quilted. This quilt was juried into the “Words Matter” exhibit at the Art Center, Highland Park, in summer 2021.
Easter Morning 2020Nona C Flores
Machine pieced, raw-edge fused applique, long arm quilted. I completed this quilt top on Easter morning 2020. The design is “Towards the Sun” by Robin Pickens. Sue DiVarco designed and completed the longarm quilting.
I See The Moon and the Moon Sees MeNona C Flores
Rubbings and stencilled images using ShivaPaintstiks; machine quilted. Swarovskicrystal embellishments. I did most of the center panel during an on-line class with Shelly Stokes on Paintstiktechniques.
Bird of Paradise – Jester in the GardenNona C Flores
Fused applique / machine applique. Designed in Jane Sassaman’s Abstracting from Nature workshop at Woodland Ridge Retreat, March 2018.
Japan 1: StepsNona C Flores
Machine pieced and machine quilted. This is the first of 3 planned quilts using Japanese or Japanese-inspired fabric and traditional Western blocks. The quilting is by Sue DiVarco.
Carnivorous LeafNona C Flores
A beautiful but lethal relative to the Venus flytrap–is it a prehistoric precursor (when bigger was better) or a genetically altered escapee from a laboratory?
Bird Nest–A Room with a ViewNona C Flores
A bird with bling deserves a ritzy nest with great views from all the rooms of her predator-free surroundings. This shape reminded me of woven bird nests that I saw in the Amazon that hung from branches looking like shoulder bags that could accommodate a coconut or a bowling ball.